Bazin's View on Realism and Battleship Potemkin Essay

Bazins View on Realism and Battleship Potemkin - Essay lawsuitWith his critical startlook, Bazin has succeeded in getting a positive focus on movies like Nanook of the North (1922) Robert Flahertys take on Canadian tribals, Bicycle Thieves (1948) (Cardullo, 2011, 53) and Umberto D. (1952), both from Vittorio De Sicas labs, which had missed audience attention due to the prevalence of commercial film. However the story does not end there. Bazin has taken important steps in proving that realism although in its subtle form helps montage movie makers ultimately create the super fetch up in their manipulations and gives them new grounds for experimentation. The essay will analyze the contributions of Bazins criticism and arguments base on his humane understanding of real life and the way it needs to be portrayed in photographic film and does not necessarily have a universal appeal in the world of contemporary accomplishment cinema.Bazin was a wonderful follower of ontological movie making processes wherein the camera, the director, and the audience have nothing more than to do than sit back and watch the proceedings in action without any manipulation of what is existence recorded in the frame. While we can understand the rawness that he loves, Bazin never pulled down any exposure by its elements and provided an explanation of how better it could have been presented even while basing on realism. All his criticisms are say towards non-realistic moviemaking, while not even once has he made a suggestion towards the improvement or differential treatment of existing realistic movies which he so openly lauded. While neo-realism in cinema has derived a lot of inspiration from Bazins writing, the basic core of moviemaking, which involves the creative ch in allenges for director and cinematographer gets negated out if we are to strictly follow in Bazins line of thinking.Modern day cinema is all based on the combination of digital and motion